Ornament for the gallery's begin
grauton collection

24 X 12 — The Grauton Collection One — that’s where it all began. The first exhibition of Raimund Verspohl’s FINE ART PHOTOGRAPHY. The first sale. Today, a classic. Available as individual pieces or as a complete set of six or twelve prints. Whether you choose a single print or the full collection — once the edition reaches its limit, that’s it. At number 24, it’s over. Out of Stock.

Monochrome Portrait of Lexis
Lex Fine Art Photography Aluminum Print 60×80 cm / 24×32″
Verena Fine Art Photography Print 60×80 cm / 24×32″
Grayscale fine art portrait of a woman in soft light, evoking quiet emotion, presence, and poetic stillness – Anna’s Visit
Fine Art Photography / Anna’s visit / Print 60×80 cm / 24×32″
Fine Art Photography Print / Ewa / Aluminum 60×80 cm / 24×32″
Fine Art Photography / Helen / Print 60×80 cm / 24×32″
fine art nude black and white woman standing on bed
Fine Art Photography / Yess / Aluminum Print 60×80 cm / 24×32″
Fine Art Photography / Dasha / Print 60×80 cm / 24×32″
Toni wearing a bakers cap, giving you a gaze
Fine Art Photography – Toni Black and White Portrait
Timeless black and white fine art portrait of a woman, expressing elegance, calm strength, and classic emotional depth
Fine Art Photography – Aiyel Dreamlike Portrait
Bold black and white fine art portrait of a woman in solitude, capturing emotional depth, stillness, and quiet strength
Fine Art Photography / Janin / Print 60×80 cm / 24×32″
Velvet monochrome fine art portrait of a woman in grayscale, radiating quiet power, poetic presence, and soft emotional stillness
Fine Art Photography – LEKS Eyes Beyond Midnight
Fine art black and white portrait of a veiled woman exuding cold grace, poetic detachment, and emotional silence – Fade Veil
Fine Art Photography – Mona Veil of Silence

Grauton Collection I – Fine Art Photography

The story of Grauton began here — in the quiet ambition to see beyond color and discover truth through tone. The first portraits of this Fine Art Photography series were created long before an audience existed, driven by a fascination for subtle light, depth, and the silent power of human presence. These early works captured a raw sincerity that would later define the entire Grauton aesthetic: honest, minimal, contemplative. They were not made to please, but to explore what happens when everything unnecessary falls away.

Part of RAYHEN FINE ART PHOTOGRAPHY EXHIBITIONS

The Beginning of a Vision

When Grauton was first exhibited, it appeared modest — a handful of black-and-white portraits that spoke in whispers. Yet their quiet intensity resonated deeply. Viewers felt the intimacy, the restraint, the way the images seemed to listen back. The first sales followed almost by surprise, and soon entire exhibitions formed around the concept: portraits of women caught between light and introspection, fragility and strength. What started as an experiment became a statement — a new visual language for sensitivity and depth in portraiture.

From First Exhibition to Classic

Over time, Grauton evolved from a personal exploration into an established chapter of contemporary Fine Art Photography. Collectors began to recognize its quiet intensity, galleries its timeless precision. The early series — now known as Grauton Collection I — remains the foundation of everything that followed. Each print carries the spirit of discovery, the memory of first light, the courage of beginning without certainty. Today, these portraits are considered classics within the Grauton universe: not because they were planned that way, but because they still move viewers with the same calm force as on the day they were created.

Collectors of Grauton Fine Art Photography

Collectors of Grauton seek authenticity and stillness. The Collection I pieces mark the origin of a vision that continues to evolve — they embody the purity of the first step. To own one of these works is to hold a fragment of the beginning, a moment when tone first found its voice and silence became art.

Discover more visual narratives in Stories.

© Raimund Verspohl

Ornament for the gallery's end
Ornament for the gallery's end